Pakistani dramas have long been hailed for their popularity, attracting high TRPs and generating millions of views on platforms like YouTube. However, in recent years, there has been a noticeable decline in the quality of content, raising concerns among viewers. The majority of dramas now rely on repetitive storylines featuring love triangles and sisters’ rivalries, often portraying toxic elements in a staggering 99% of scripts.
Despite repeated expressions of concern regarding this issue, little action has been taken to address the declining content quality. The situation came into the spotlight when experienced actor Ali Safina appeared on the talk show ‘Fuchsia,’ where he offered insights into the truth behind Pakistani drama writers.
During the interview, Safina shed light on the prevailing state of writing in the industry, revealing that scripts are often crafted by content teams. This practice has contributed to the deteriorating quality of writing in Pakistani dramas, exacerbating the concerns raised by viewers and industry insiders.
According to Safina, a significant number of drama writers in Pakistan work in teams and frequently recycle old stories by making minor modifications and attaching different names to them. This lack of originality and creativity has contributed to the repetitiveness and predictability of many dramas.
Furthermore, Safina unveiled a startling revelation about the production process, disclosing that dramas are often filmed while only 7-8 episodes have been written. This leaves the writers with inadequate time and resources to develop a coherent and engaging script. The rushed nature of the production process has undoubtedly affected the overall quality of the content presented to viewers.
One crucial aspect highlighted by Safina was the issue of inadequate compensation for writers. He expressed that writers are not receiving appropriate remuneration for their work, leading to the production of subpar scripts. However, he acknowledged that some writers have managed to produce quality dramas for Green Entertainment, as they receive higher compensation from the production company.
The insights provided by Ali Safina have sparked a renewed discussion on the quality of Pakistani drama scripts. Viewers, industry professionals, and writers themselves are calling for greater attention to be given to this issue. There is a growing demand for reforms in the industry to ensure that writers are properly recognized, compensated, and given the necessary time and resources to create high-quality and engaging content.
As the discussion continues, industry stakeholders are urged to take action and prioritize the improvement of script quality, thereby revitalizing Pakistani dramas and restoring their reputation for excellence.
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