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Green Entertainment’s “Daurr” Debuts with a Promising Start, Showcasing Ambitious Women and Engaging Storylines

Green Entertainment’s latest venture, which launched earlier this week, has been captivating viewers with its new lineup of weekly shows. Among them, “Daurr” made its debut on Friday morning after some initial posting delays, and it has managed to impress with its captivating storyline.

In a landscape where love stories and domestic politics often dominate, the channel’s shows, including “Daurr,” offer a breath of fresh air with their unique and compelling narratives. Audiences have been craving such refreshing storytelling, and the channel seems to be delivering just that.

Based on the Safina Danish Elahi novel “Eye on the Prize,” “Daurr” sets up an intriguing story right from the first episode. While the novel primarily focuses on the lives of lead women Shezray, Hina, and Manahil as they navigate the balance between their personal and professional lives, the show also emphasizes ambition and ambitious women.

The episode effectively establishes three distinct storylines featuring the trio of characters. Ushna Shah portrays Shezray, a successful businesswoman who struggles with her husband’s inferiority complex in the workplace. Amna Ilyas brings life to Hina, an ambitious middle-class woman who strives for the best for her family, much to her husband’s dismay. Zhalay Sarhadi plays Manahil, a mentally troubled housewife with a mysterious backstory.

The interconnected stories of these characters are further enhanced by secondary characters such as Laila, Amaan, and Zara. Drama is expected to unfold as Laila, played by Noreen M Gulwani, engages in an affair with Hina’s husband, creating tension within the narrative. Additionally, Amaan, Manahil’s son, and Zara, Hina’s daughter, become classmates, potentially connecting the two families.

Directed by renowned filmmaker Wajahat Rauf, known for his notable works like “Karachi Se Lahore” and “Chhalawa,” “Daurr” exhibits skilled cinematography and storytelling. Mohsin Ali adeptly adapts the novel for the screenplay, incorporating elements of social issues and character-driven storytelling reminiscent of Rauf’s previous successful film, “Parde Mein Rehne Do.”

The first episode of “Daurr” offers a refreshing change by portraying women who are unapologetically ambitious, independent of their relationships with men. The inclusion of Manahil discussing her mental health and seeking professional help tackles the important issue of mental health stigma prevalent in society.

Furthermore, the episode hints at a compelling story arc involving parents exerting excessive pressure on their children and its consequences. Amaan faces body-shaming incidents while his interests in mathematics and music are showcased, highlighting the impact of parental expectations. This subplot opens the door for important conversations about parenting and may resonate with the experiences of the other two female characters and their daughters.

To sum it up, “Daurr” presents an engaging narrative that breaks free from conventional storylines, featuring ambitious women and addressing significant social issues. With its strong performances and intriguing plot, the show holds great promise for the future.

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