In the world of Pakistani television dramas, it has become common to witness the repetition of storylines and themes. Producers often prioritize following popularity trends rather than presenting original content. One such recurring storyline that has captivated audiences is love stories based on class differences. The recent dramas “Mohabbat Tujhe Alvida” and “Ehraam e Junoon” have once again delved into this popular concept. However, it is evident that “Ehraam e Junoon” has borrowed heavily from “Mohabbat Tujhe Alvida,” leading to an uncanny resemblance between the two dramas.

The Similarities:

“Ehraam e Junoon” appears to be a spiritual successor or an unofficial sequel to “Mohabbat Tujhe Alvida.” Several striking similarities between the two dramas highlight the influence of the previous storyline on the newer production.

1. Leading Ladies:

The protagonists of both dramas, Shafaq from “Mohabbat Tujhe Alvida” and Shanzay from “Ehraam e Junoon,” bear uncanny similarities. Both are wealthy individuals longing for love and affection. They view love as their ultimate pursuit and believe that only specific individuals can fulfill this void.

2. Materialistic Wives/Fiancées:

The characters Ulfat from “Mohabbat Tujhe Alvida” and Sajeela from “Ehraam e Junoon” share an obsession with material wealth. They equate happiness with monetary gains and are motivated by their desire for a luxurious lifestyle.

3. Becharay Ghareeb Male Candidates:

The male leads, Shahaan from “Mohabbat Tujhe Alvida” and Shayan from “Ehraam e Junoon,” both belong to the lower-middle class. They face financial struggles while being committed and deeply in love with their respective partners.

4. Supporting Characters:

Certain supporting characters in “Ehraam e Junoon” mirror those in “Mohabbat Tujhe Alvida.” These characters include the mothers of the male leads and the best friend who plays a significant role in the protagonists’ lives.

Comparisons and Differences:

While “Ehraam e Junoon” attempts to bring its own twists and turns to the story, it falls short in comparison to “Mohabbat Tujhe Alvida.” The characters in “Mohabbat Tujhe Alvida” were more convincing and well-developed, with layered personalities and some degree of entertainment value. On the other hand, the characters in “Ehraam e Junoon” lack depth and come across as exaggerated and unlikable.

Conclusion:

The trend of borrowing storylines from previous successful dramas is not a new phenomenon in Pakistani television. However, it is crucial for producers to strike a balance between creating fresh content and incorporating popular themes. While “Mohabbat Tujhe Alvida” managed to execute the concept of love stories based on class differences with some degree of success, “Ehraam e Junoon” falls short in comparison, relying heavily on its predecessor.

Audiences are increasingly looking for original and diverse narratives in dramas. It is hoped that producers and writers will explore new storylines and themes, moving away from the repetitive patterns seen in recent times. This will allow the Pakistani television industry to evolve and create content that resonates with viewers on a deeper level.